Trained from an early age at the Henrikh Igityan National Center of Aesthetics, and later at the Hakop Kojoyan Educational Complex and the State Academy of Arts of Armenia, Javakhyan developed a formal foundation that quietly underlies the apparent freedom of his mature work.

His paintings move across registers with confidence: stark monochromatic works in which white forms emerge from dense black grounds; large-scale canvases in saturated reds and electric yellows animated by fantastical animal figures; serialized grids that collide folk memory with the textures of contemporary life; and intimate works on paper that reward close, sustained attention. Across all of it, a consistent private iconography persists — hybrid creatures, scattered eyes, fractured faces, and ornamental patterning rooted in Armenian visual tradition.

Javakhyan has exhibited extensively in Armenia and internationally, and has been a member of the Union of Artists of Armenia since 2013. His work is held in private collections and carries increasing institutional attention.